He had ransacked his mind but he could not remember and he could not recall many other things besides. The period before his arrival, for instance. He knew he came from elsewhere. His appearance made that abundantly clear, and he did not speak the islanders' language, although between gestures and the few words of his own language the islanders knew, he could communicate most of his basic needs.
The island was small. If one cared to, one could walk from one end to the other in a matter of hours. To reach the southern tip, where there was a swimming beach, he sometimes took one of the small buses that circulated throughout the day. Across the hazy sea to the south, one saw a city on a far-off coastline, with factories lining its harbor, whose tall chimneys emitted knotted white streams. An unmaintained road led from the swimming beach into steep hills above, where an abandoned complex of concrete structures had been overrun by bushes and ivy. To the north, not visible from the beach, was a distant shore, where rows of mountains resembling jagged waves disappeared into the mist.
The island itself had a teardrop shape. Craint knew this from a map at the bus depot and another at the ferry terminal. Its northern half had been given over to mining ventures.
Large machines dug up the rocky waste and pulverized it into powder and gravel. He had seen images of this in the small museum devoted to the island's history, where, unable to read the explanatory texts, he had had to invent his own history from the photographs and dates.
The problems with his memory made Craint reluctant to ask questions that might cause him to appear foolish. At his hotel he refrained from asking how many nights he had stayed, afraid such an inquiry might call attention to the bill he had no means of paying. For now, at least, the proprietors seemed unconcerned about their guest's ability to meet his obligations.
この記事は The New Yorker の November 11, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は The New Yorker の November 11, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
ART OF STONE
\"The Brutalist.\"
MOMMA MIA
Audra McDonald triumphs in \"Gypsy\" on Broadway.
INTERNATIONAL AFFAIRS
\"Black Doves,\" on Netflix.
NATURE STUDIES
Kyle Abraham's “Dear Lord, Make Me Beautiful.”
WHAT GOOD IS MORALITY?
Ask not just where it came from but what it does for us
THE SPOTIFY SYNDROME
What is the world's largest music-streaming platform really costing us?
THE LEPER - LEE CHANGDONG
. . . to survive, to hang on, waiting for the new world to dawn, what can you do but become a leper nobody in the world would deign to touch? - From \"Windy Evening,\" by Kim Seong-dong.
YOU WON'T GET FREE OF IT
Alice Munro's partner sexually abused her daughter. The harm ran through the work and the family.
TALK SENSE
How much sway does our language have over our thinking?
TO THE DETECTIVE INVESTIGATING MY MURDER
Dear Detective, I'm not dead, but a lot of people can't stand me. What I mean is that breathing is not an activity they want me to keep doing. What I mean is, they want to knock me off. My days are numbered.