Wang, with her cool, analytical manner, plays Scriabin as well as anyone alive.
It has never been just about the music. The notion that performers should be faceless butlers of genius, impersonally conveying sublime messages in sound, has no basis in tradition. The bonkers antics of virtuoso pianists in the nineteenth and early twentieth centuries prove otherwise. Franz Liszt, whose stage costumes ranged from Magyar military garb to priestly robes, would sometimes stop between pieces to chat with admirers. The infamously acerbic Hans von Bülow, while on an American tour, became so irritated at the promotional efforts of the Chickering piano company that he took out a jackknife and scraped the brand’s name off the instrument. Vladimir de Pachmann once appeared at a recital holding a pair of socks; these, he claimed, had been knitted for Chopin by George Sand. And so on: the history of the piano is a history of weirdness.
この記事は The New Yorker の June 03, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は The New Yorker の June 03, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
The Dark Time. - On the Arctic border of Russia and Norway, an espionage war is emerging.
On the Arctic border of Russia and Norway, an espionage war is emerging. The point of contact between NATO and Russia's nuclear stronghold is the small town of Kirkenes. For years, Russia has treated the area as a laboratory, testing intelligence and influence operations before replicating them across Europe.
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