Even though there are big stars in “The Sign in Sidney Brustein’s Window”—the Marvel (among other things) actor Oscar Isaac and the “Marvelous Mrs. Maisel” actress Rachel Brosnahan— the center of the play’s solar system is Lorraine Hansberry. There are few playwrights who, decades after their death, still seem so present and luminous. Hansberry died in 1965, when she was only thirty-four, yet we’re still exploring her continuing impact, still looking to her for illumination. Since 2017, three major biographies and a documentary have examined both her artistry and her activism, and last year the sculptor Alison Saar unveiled a statue of Hansberry in Times Square, which invited passersby to sit with her in quiet, bronze communion. Meanwhile, the theatre world produces Hansberry’s masterpiece, “A Raisin in the Sun,” her drama about housing discrimination in Chicago, over and over (most recently at the Public Theatre in 2022), and directors comb through her short catalogue, hoping to find some hidden diamond that history thought was glass.
この記事は The New Yorker の March 13, 2023 版に掲載されています。
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この記事は The New Yorker の March 13, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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President for Sale - A survey of today's political ads.
On a mid-October Sunday not long ago sun high, wind cool-I was in Harrisburg, Pennsylvania, for a book festival, and I took a stroll. There were few people on the streets-like the population of a lot of capital cities, Harrisburg's swells on weekdays with lawyers and lobbyists and legislative staffers, and dwindles on the weekends. But, on the façades of small businesses and in the doorways of private homes, I could see evidence of political activity. Across from the sparkling Susquehanna River, there was a row of Democratic lawn signs: Malcolm Kenyatta for auditor general, Bob Casey for U.S. Senate, and, most important, in white letters atop a periwinkle not unlike that of the sky, Kamala Harris for President.
