He’d decided that they all needed a party to cheer them up, because the winter had been so bitter, and because now, in February, the incessant rain had turned the snow to slush. It was raining again this evening; the bus’s wiper had beat its numb rhythm all the way into town, the pavements were dark, and the gutters ran with water. Frozen filthy formless lumps, the remainders of the snow, persisted at the street corners and in the deep recesses between buildings, loomed sinisterly in the gaping bomb sites. Crossing the road, Evelyn had to put up her umbrella—actually, her mother’s worn old green umbrella with the broken rib and the duck’s-head handle, which she’d borrowed without asking on her way out, because she’d lost her own somewhere. Probably she’d get in trouble for this tomorrow, but she didn’t care; she was too full of agitated happiness. Anything could happen between now and tomorrow.
Evelyn couldn’t believe her luck, that she was going to an actual party—and not just any dull, ordinary party but this wild one with her sister’s friends, in a half-derelict old pub with a terrible reputation, hanging over the black water in the city docks. If her parents had known where the party was, they’d never have let her out, but she’d lied to them fluently and easily, saying that Moira had promised to look after her, and that they were meeting in the Victoria Rooms. She was proud of herself. Who knew that you could be a Sunday-school teacher one minute, asking the children to crayon in pictures of Jesus with a lost lamb tucked under his arm, and then lie to your parents with such perfectly calibrated, innocent sweetness?
この記事は The New Yorker の July 01, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は The New Yorker の July 01, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
THE ST. ALWYNN GIRLS AT SEA SHEILA HETI
There was a general sadness that day on the ship. Dani was walking listlessly from cabin to cabin, delivering little paper flyers announcing the talent show at the end of the month. She had made them the previous week; then had come news that the boys' ship would not be attending. It almost wasn't worth handing out flyers at all—almost as if the show had been cancelled. The boys' ship had changed course; it was now going to be near Gibraltar on the night of the performance—nowhere near where their ship would be, in the middle of the North Atlantic sea. Every girl in school had already heard Dani sing and knew that her voice was strong and good. The important thing was for Sebastien to know. Now Sebastien would never know, and it might be months before she would see him again—if she ever would see him again. All she had to look forward to now were his letters, and they were only delivered once a week, and no matter how closely Dani examined them, she could never have perfect confidence that he loved her, because of all his mentions of a girlfriend back home.
WHEELS UP
Can the U.K.’s Foreign Secretary negotiate a course between the E.U. and President Trump?
CHARLOTTE'S PLACE
Living with the ghost of a cinéma-vérité pioneer.
MILLENNIALS: WHERE ARE THEY NOW?
Fame is fickle, and no one knows this better than millennials. Once, they were everywhere—in television laugh tracks for “The Big Bang Theory,” in breathless think pieces about social-media narcissism, and acting the fool in 360p YouTube comedy videos. Then—poof! Gone like yesterday’s avocado toast.
ANNALS OF INQUIRY: CHASING A DREAM
What insomniacs know.
THE MASTER BUILDER
Norman Foster's empire of image control.
INTIMATE PROJECTS DEPT. THE GOLDFISH BOWL
There are roughly eight hundred galleries that hold the permanent collection of the Met, and as of a recent Tuesday morning the married writers Dan and Becky Okrent had examined every piece in all but two.
ON AND OFF THE AVENUE - Top of the Class
Whenever I consider “taking a class,” as a grown woman living in New York City, my mind immediately turns to “The Ladies Who Lunch,” the show-stopping number from Stephen Sondheim’s 1970 musical, “Company.”
LAUGH DEPT.PRECOCIOUS
In \"The Great Depresh,\" Gary Gulman's documentary-style comedy special about his lifelong struggle with depression, a camera crew follows him to his childhood home in Peabody, Massachusetts.
L.A. POSTCARD - GHOST TOWN
On most weekday afternoons, U.S. Route 101, which slices through the city of Los Angeles, thrums with traffic, brake lights blinking like those on a Christmas tree. Several days ago, as wildfires ravaged the city and the surrounding county, a haze of smoke filtered the sun like a silk scarf over a lamp. It was eerily smooth sailing from Silver Lake to Exit 9B, Hollywood and Highland, near Runyon Canyon Park.