Past Lives is your first feature film, and it's already a critical darling and front runner for best movie of the year. How does that feel?
Right now, all I can think about is taking this one step at a time. We just had the North American release, but it's an independent film with a small budget, so the fact that it's getting any kind of attention is such an amazing thing.
You've written for both the stage and TV. Is writing a movie screenplay any different?
Fundamentally, no. It's all about story and character: how to put a scene together and how to push the narrative forward. In theatre, time and space are not literal-it's a live performance of language and emotion. TV writing comes with the pressure of needing the art to succeed in serial form. I find that there's a bit more freedom in writing for film, but ultimately, audiences show up for the story.
What made cinema the right medium for Past Lives?
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There will be blood
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BRUTE FORCE
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THE SECRET CITY
INSIDER TIPS AND TRICKS THAT MAKE LIFE EASIER, CHEAPER, FASTER, SLOWER, TASTIER, SMARTER AND WAY MORE FUN