Fantasy webtoons are undeniably brilliant snackable reads thanks to their imaginative themes spanning genres, fully immersive storytelling, fascinating artwork, and in-depth visual expressions. Surrealist or comparable elements and a well-crafted narrative lend authenticity to the setting. But expecting what may never happen brings the deepest rush of all.
Fantasy webtoons excel at worldbuilding. Their portrayal of fictive spaces, periods, and theories is unique and far removed from what is normal. At their most basic, fantasy webtoons are an escape into wonderful worlds of exciting adventures. And I'm a fan, of these stories. So, here I've listed the top 10 fantasy webtoons that, in my opinion, are essential reads for anyone interested in the genre.
Lore Olympus
In her Lore Olympus series of the Gods, Rachel Smythe provides a modern spin on The Abduction of Persephone, a classical Greek story. The first season chronicles a plot by Minthe, Thanatos, and Thetis to disgrace Persephone and her struggles with Apollo's inappropriate advances while also pursuing a college scholarship that requires her to remain chaste. The second season follows Persephone's abduction and her growing romance with Hades, while the third has their reunion and the beginning of their official relationship.
Tower of God
A massive wish fulfillment tower that bestows all blessings on those living inside is at the core of creator Siu's Tower of God. When a young Bam ventures inside the tower in search of his love, Rachel, he discovers its inner workings and the diverse individuals within its ordered society, where challenges differ from floor to floor.
The Remarried Empress
この記事は RollingStone India の August 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は RollingStone India の August 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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