IF YOU READ ANY OF the reviews of Ari Aster’s third feature Beau Is Afraid, you’ll likely encounter the word “departure”. In Hereditary and Midsommar, Aster gave us a pair of instant-classic horror movies; Beau is a three-hour comedy (of sorts) which its writer/director has flippantly referred to as “a Jewish Lord Of The Rings”.
But is it really such a hairpin turn? Like his first two films, Beau is obsessed with the themes of guilt and family, as Joaquin Phoenix’s eponymous “hero” –a man so crippled by anxiety, he struggles to leave the house – must travel cross-country to the funeral of his mum (Patti LuPone), the woman largely responsible for his splintered psyche. And while it’s certainly Aster’s funniest film, it’s also, arguably, his most discomfiting.
Aster can see the throughlines. “Yeah, certainly,” he says, his words faltering, for Beau’s anxiety and awkwardness were born of his own. “In some ways I saw this as… I mean, it’s too reductive, but this functions almost as a parody of the last two, while also, I think, going deeper, in a way. If anything, I’ve always seen these as an unofficial trilogy, and the things I’m planning to do next are much more divorced from those three, which are obsessed with the question of family and the burden of being a parent, or an offspring. Really just the burden of being in relationships with anybody else!”
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS