FROM A CERTAIN POINT OF VIEW. It’s a phrase that’s loomed large over Star Wars ever since Obi-Wan Kenobi tried to pretend he hadn’t fibbed about the fate of Luke Skywalker’s dad. Since then, Anakin’s whined that, from his POV, the Jedi are evil, while fandom remains torn over The Last Jedi: is it a bona fide classic or a disastrous disturbance in the Force?
Now the latest Disney+ show is asking us to look at its story from multiple perspectives. The result? The next time a film studies student reminds you that George Lucas’s original Star Wars was heavily influenced by Akira Kurosawa’s The Hidden Fortress, you can instantly shoot back that The Acolyte shares elements of the Japanese director’s multiplePOV classic Rashomon.
Set a century or so before The Phantom Menace – towards the end of the era known as the High Republic – The Acolyte sees a flourishing Jedi Order shaken when an unknown assassin starts bumping off its members. While it’s clearly bad news for lightsaber-wielders everywhere, it’s also a fantastic opportunity for creator/showrunner Leslye Headland – who made her name with tricksy Groundhog Day-tinged time-loop drama Russian Doll – to approach the story through multiple sets of eyes, and blur the lines between good and evil.
“Sometimes we are in the Jedi point of view,” producer Rayne Roberts tells SFX, “and sometimes we get to be in the point of view of the mysterious assailant. You might have thought something happened one way but it’s like, ‘Oh, wait a minute…’
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
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UNDEADS REFLECTIONS
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PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS