not for Entertainment

As a work in progress, Nadhir Nasar resists rushing for greatness. And in his ever-evolving journey, he is realising that perhaps he does not want to be the spectacle itself.

- Ling Jie Tuang

Is to perform to be perceived? In preparation for this interview, a cursory research takes place in the form of texts with friends familiar with Nadhir Nasar's work. In search of insight that exists beyond his socials and IMDb page, it is the perception of him that piques the most interest - how his performance as an actor and public figure gets translated into public conscience, and observe what gets lost in static.

Before mentions of his appearance arise, keywords like 'thespian', 'serious about his craft' and 'manic pixie dream boy' surface. Evidently, Nadhir takes the lead when it comes to crafting his narrative and role as an artist.

Over a call, Nadhir's energy is palpable and ready to go. We ask what has changed since his last interview with Men's Folio for last year's June cover. "It has not been that long, but I have gotten more patient with myself when it comes to success," he reflects.

Recognising that change is constant in this ever-evolving industry, he centres on the ethos of sticking to his intuition and doing things at his own pace. "There is only one Nadhir Nasar, so why am I rushing?" Considering himself a work in progress, Nadhir is keen on improving without rushing.

"I may look like a guy without a plan, but I have a vision," he professes. From working retail in streetwear and modelling to earning a degree in broadcasting, he has, quite literally, stepped into various identities to reach where he is today.

"You have to start somewhere, and I believe in the process that God has put me in."

Somewhere between folding garments, attending to customers, and appearing in fashion campaigns, Nadhir has developed the acumen to navigate himself in the entertainment industry today. "My end goal is to become a director - to become one, I need to first be a good actor. My education and gigs from early on have given me the practice to tell my stories visually."