I was 22 when I first went to India. In the late ’90s, the hippie trail from Agra to Jaipur to Rishikesh was still full of backpackers. Germans, Israelis, and Australians traversed the country in elephant-printed harem pants and Buddhist prayer beads, indulging in banana-pancake breakfasts and cannabis-laced bhang lassis. My boyfriend—a serious student of the subcontinent, equipped with maps, train tables, and a prestigious fellowship—planned to do India differently. We would dress respectfully, live on a local budget—less than $5 a day—and see places other backpackers missed. When we bought cannabis, it was from a farmer in a Himalayan village where they grew the world-famous Malana cream. We were two recent Harvard graduates in India, and we were all about doing our homework.
Young people may be known for taking risks, but often that rebellion has a conventional shape. Looking back, our pretensions to authenticity were just another set of rules. One thing my American boyfriend felt strongly about was Indian clothing on white women, which he considered not only culturally insensitive but unattractive. This presented me with a problem, since the shorts and T-shirts left over from my LA adolescence were too revealing, especially in the off-the-beatentrack architectural sites we liked to visit.
I opted instead for long skirts and short-sleeve blouses, modest but impractical for a hike or overnight train. Once, traveling second class from Gwalior to Agra, we almost missed our stop; when the conductor bellowed Agra, Agra, Agra, we rushed to the exit and leapt from the moving train. He made it fine, but in my ankle-length skirt and platform sandals, carrying a backpack half the length of my body, I stumbled and fell on the platform. When I opened my eyes, I was surrounded by a crowd of curious onlookers. In my attempt to fit in, I’d wound up the most foolish kind of spectacle.
ãã®èšäºã¯ Vogue US ã® September 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Vogue US ã® September 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Nothing Like Her
Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
Different Stages
A trio of novels spirits you far away.
The Wizard
Paul Tazewellâs costumes for the film adaptation of Wicked conjure their own kind of magic.
THE SEA, THE SEA
A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
STAGING A COMEBACK
Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
Simon Says
Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
MOTHER SUPERIOR
The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.
WALK THIS WAY
THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.
Written in Stones (and Etched in Metal)
Three years after taking the reins at Bottega Veneta, Matthieu Blazy unveils his first fine jewelry collection.