On the Saturday before the Oscars, celebrity stylist Kate Young made a difficult decision. It wasn’t about the silk tulle cape that her client Michelle Williams would wear. It was about her Oura Ring, a biohacking tool that measures everything from steps to body temperature to, most popularly, sleep. She decided to take it off.
The reason? During the busy leadup to the ceremony, her sleep scores had been appallingly low. “My HRV [Heart Rate Variability] basically said I should go to the hospital,” she says. She’d compared scores with a Chanel publicist at the brand’s annual pre-Oscar dinner at the Beverly Hills Hotel’s Polo Lounge, and decided to go without for the rest of Hollywood’s big weekend. The anxiety was too much. “I was like, This isn’t helpful right now,” she remembers.
Young is not the first nor the last to obsess over the Oura, a roughly $300 titanium band that not only conjures certain Lord of the Ring associations, but for the wellness-minded, is nothing less than the one ring to rule them all. If the fashion world once adhered to the belief that you’ll sleep when you’re dead, or at most, dead tired, the Oura, fitted with sensors that gather biometric data such as heart rate, temperature, and minutes of REM slumber, satisfies a newfound fixation: to relentlessly optimize—and discuss— sleep. “I feel like half the people in fashion are wearing Oura Rings now,” says Young. Social media suggests the same. It wasn’t long ago that Kim Kardashian shared her gleaming sleep score of 93 on Instagram only to be reposted by an awestruck Gwyneth Paltrow: “Okay WHAT?? I thought I was killing it at this @ouraring game.”
この記事は Vogue US の Summer 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Vogue US の Summer 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Canvas the City - Martha Diamond captured the brisk energy of Manhattan.
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It was late in the summer in Los Angeles, with all the dry heat and burnished sunlight that implies, and Billie Eilish was sitting in a dark room, busy changing her mind. The singer was halfway through editing the music video she had directed for “Birds of a Feather,” her latest astronomically successful hit song (nearly 1 billion streams) off her latest astronomically successful hit album (nearly 4 billion streams at the time), when she encountered a problem: She realized she hated it. Well, not hated. “I was like, this ain’t it,” she says.
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
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A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
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Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
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Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
