The former chief designer at Apple, dressed in a powder blue suit and aviator glasses, is discussing the upcoming release of his latest project with the Italian luxury outerwear brand Moncler. 'A phone and a building are very different things,' says the designer, who would know better than most: he has worked on our generation's most era-defining objects, including the iPod, iPhone and MacBook, as well as Apple's Cupertino campus with Foster + Partners (W*273).
'But if you're a proper designer, you can design many different forms. The important thing is the curiosity to go beyond what you're used to. You need to be aware that you've got so much left to learn.'
When Ive left Apple in 2019 after 27 years to found his creative collective, LoveFrom, alongside industrial designer Marc Newson, it gave him the opportunity to follow a range of new and different paths. Their first projects have included rethinking a turntable for audio brand Linn and the development of electric cars for Ferrari. But this latest collaboration with Moncler, a modular collection of jackets that can be mixed and matched with a single down-filled base layer, has allowed the London-born designer to explore a host of new fields: fashion design, textile development and even a reimagining of the humble button.
But how did Ive, a longtime California transplant, and Moncler’s CEO Remo Ruffini, who lives in Milan and hails from Lake Como, begin a conversation about coats? ‘We have a lot of friends in common,’ says Ruffini. ‘When we first started talking, it wasn’t about business, it was just about life. The collaboration, for us, is an opportunity to learn about another world.’
この記事は Wallpaper の November 2024 版に掲載されています。
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この記事は Wallpaper の November 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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Pas de Deux - Choreographer Wayne McGregor on turning a post-apocalyptic trilogy by Margaret Atwood into a three-act ballet in collaboration with composer Max Richter
Wayne McGregor is the master of creative collaborations. As resident choreographer at the Royal Ballet, a position he has held since 2006, he has translated an eclectic roster of literary, avant-garde and contemporary references into works for the stage, as well as taken the helm on film, TV, fashion and music videos projects, and founded his own London-based studio.
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After a 20-year hiatus, design returns to the Dakar Biennale this year and, for curator Ousmane Mbaye, it comes at a pivotal time. ‘My curatorial practice is based on three aspects,’ he says. ‘A desire to do a design inventory in Africa; to record the materials being used; and to present the current generation of designers in Africa and its diaspora, and see their visions realised.’
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Guest Editor Marcio Kogan - Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century).
Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century). The 72-year-old architect has since become synonymous with contemporary Brazilian chic, offering a sumptuous blend of raw, textured materials; clean geometric forms; effortless functionality; vernacular design features; and a deep knowledge and appreciation of the rich, tropical modernist architecture legacy of his home country.
DREAM TEAM
A rewatching of a seminal film laid the foundation for JW Anderson's latest collection, a fantastical collaboration with artist Christiane Kubrick
