After nearly two decades of work, entrepreneur and environmentalist Luiz Felipe Aranha Moura is launching his plan to bring the municipality of Belterra, Brazil, back to the future. His visionary new Museu de Ciência da Amazônia, also known as MuCA, or the Museum of Amazonian Science, is an ambitious project that builds on fascinating local history, and has been made possible with the help of a team of high-powered collaborators, including the celebrated Brazilian architect Arthur Casas.
Belterra was created by Henry Ford in 1933. The American car manufacturer was trying to establish independent large-scale rubber production for his company, having unsuccessfully attempted to create a utopian city called Fordlandia in the heart of the Amazon five years earlier. He took the learnings from the missteps that led to Fordlandia’s resounding failure and doubled down, building what became Belterra in the image of his home town of Dearborn, Michigan. As a result, the city was laid out like an early American suburb, with hundreds of wooden buildings arranged in rows off a main street, uniform in white and emerald green and in contrast with the typical architecture of the local Tapajós culture.
While Belterra was more successful than its predecessor, the Ford Motor Company ultimately abandoned both operations when rubber production in Asia resumed after World War II, leaving behind an idiosyncratic architectural legacy tainted by Ford’s insistence on imposing American ways of working and living on the local populations.
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Pas de Deux - Choreographer Wayne McGregor on turning a post-apocalyptic trilogy by Margaret Atwood into a three-act ballet in collaboration with composer Max Richter
Wayne McGregor is the master of creative collaborations. As resident choreographer at the Royal Ballet, a position he has held since 2006, he has translated an eclectic roster of literary, avant-garde and contemporary references into works for the stage, as well as taken the helm on film, TV, fashion and music videos projects, and founded his own London-based studio.
Waking Moments - Design makes a welcome return to the Dakar Biennale, sounding out a clarion call to Africa's new creative generation
After a 20-year hiatus, design returns to the Dakar Biennale this year and, for curator Ousmane Mbaye, it comes at a pivotal time. âMy curatorial practice is based on three aspects,â he says. âA desire to do a design inventory in Africa; to record the materials being used; and to present the current generation of designers in Africa and its diaspora, and see their visions realised.â
Blonde Ambition - A new iteration of Gucci's beloved 'Blondie' bag fuses effortless Seventies insouciance with crisp modernity
Recently reimagined by creative director Sabato De Sarno as part of his Cruise 2025 collection, Gucciâs âBlondieâ bag, first launched in 1971, centres around a rounded version of the brandâs historic interlocking-G symbol. Now one of fashionâs most recognisable motifs, it remains on De Sarnoâs interpretation, which is designed to recall the originalâs effortless insouciance and the heady, liberated spirit of the 1970s.
Role Models - Elmgreen & Dragset's subversive take on the classical form at Paris' Musée d'Orsay explores contemporary masculinities in a heteronormative world
As Elmgreen & Dragset, Michael Elmgreen and Ingar Dragset bring a smart subversion to their large-scale installations. Over the last three decades, they have taken a sideways look at social and political systems by recontextualising mainstream motifs: works have included a full-scale replica of a Prada boutique in the Texan desert and a vast, vertical swimming pool, now installed in Hong Kong.
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Bloom Service - A flower-shaped brutalist beauty in Geneva gets a refresh
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Second Nature -A remodelled museum in Lisbon, by Kengo Kuma & Associates, meshes Japanese and Portuguese influences to create a space that sits in harmony with its surroundings
The Calouste Gulbenkian Foundation's complex in Lisbon has been one of the city's best-loved landmarks since it opened in the 1960s. The foundation aims to improve quality of life through art, charity, science and education, and its Lisbon campus encompasses a main office, library, scientific research centre and contemporary art museum, Centro de Arte Moderna (CAM), which reopens this month following an extensive four-year renovation by Japanese studio Kengo Kuma & Associates. Designed in collaboration with landscape architect Vladimir Djurovic, the update cleverly reconfigures the space and extends the foundation's gardens to craft a more cohesive relationship between the existing structures.
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Over the last decade, Bali-based studio Ibuku, headed up by designer Elora Hardy, has become a leading expert in bamboo architecture, its output encompassing everything from a traditional Sumbanese house and a yoga and meditation space to playful treehouses and a riverside café at an eco-friendly jungle retreat in Ubud. In 2021, the studio completed The Arc sports hall at the Green School in Bali (founded by Elora's father, designer John Hardy). Made from a series of arches spanning an impressive 19m, it was a pioneering feat of bamboo engineering.
Guest Editor Marcio Kogan - Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century).
Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century). The 72-year-old architect has since become synonymous with contemporary Brazilian chic, offering a sumptuous blend of raw, textured materials; clean geometric forms; effortless functionality; vernacular design features; and a deep knowledge and appreciation of the rich, tropical modernist architecture legacy of his home country.
DREAM TEAM
A rewatching of a seminal film laid the foundation for JW Anderson's latest collection, a fantastical collaboration with artist Christiane Kubrick