Although I loved visiting museums when I was young, I never thought about working in one. I studied English Literature at university, thinking I might go into publishing or a marketing role, but in my final year I took a module on Pre-Raphaelite art and poetry, which made me start looking at paintings in a different way. I knew I wanted to work with artworks.
After an MA in Art History and Curating at the University of Birmingham, I was lucky enough to secure an internship at the Skissernas Museum in Sweden. I moved to Nottingham when I returned to the UK, volunteering in a couple of museums and working at Artcore, a visual arts charity in Derby. I moved down to London when I started at the William.
Morris Gallery and have been assistant curator here for four years, looking after our amazing collection of paintings, drawings, textiles and furniture, as well as working on the exhibitions programme.
My days can be very varied - I might be helping a researcher in our reading room, writing labels for an upcoming exhibition, leading guided tours or cataloguing design drawings in our collections store.
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Lisa Coppin
The Cotswold Companyâs chief creative officer shares the pieces that mean so much to her
TRAVEL
Six of the best pineta, plus a festive trip to Covent Garden. Review of The Orange, Belgravia by Katie Pike, travel stories
OLD SHEFFIELD PLATE
Stumbled upon by chance, this ingenious material was a more affordable option than solid silver, and well-preserved examples are particularly desirable today
Merrily on high
Summoning servants since the 1700s, bell boards create instant English country-house style (even if you don't have any servants). Emma Longstaff dons her pinny
Let it snow
Nostalgic, magical and highly collectable, snow globes are curious objects of wonder that never fail to instil joy
Velvet Crush
Once the preserve of the wealthy, velvet finally touched all levels of society, thanks to advances in its production process
Celebrating in the Stable
Antiques dealer Julia von HÃŒlsen specialises in Gustavian pieces - all of which look perfectly placed in her German home
THE SHOW MUST GO ON
Victorian toy theatres charming and exquisitely designed miniature worlds have inspired theatre royalty for decades. Today, the tradition is being kept alive by a small but talented network of makers
NICHOLAS LEES
The ceramic artist talks to Dominique Corlett about new ways of working with clay and blurring the edges of solid objects
Candy CHRISTMAS
Pastel hues, vintage decorations and bowls of sweet treats: the festive run-up is gloriously joyful at Bettina FÊrgeman's historic Copenhagen apartment, where there's an emphasis on entertaining...