At university, it bothered me that art history books were so focused on art by men, and that women artists were rarely part of the story. They were more often the ones being painted: the artists' muses, not wearing many clothes.
I remember one particular tutorial on Manet's Olympia (1863), which was groundbreaking at the time for its depiction of a prostitute in the pose of a classical nude. Female nudes painted by women are so much more nuanced, yet they weren't included in that dialogue; my tutor wasn't interested in the female perspective at all, even when there were wonderful female Impressionists like Mary Cassatt and Berthe Morisot painting women in various states of deshabille at the same time.
It never occurred to me that I would ever collect art, or that I would end up collecting art by women. But later I realised there was a thread - so many of the pictures on my walls were by women. Perhaps it's a kind of sisterhood; I feel much more of a connection.
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Lisa Coppin
The Cotswold Companyâs chief creative officer shares the pieces that mean so much to her
TRAVEL
Six of the best pineta, plus a festive trip to Covent Garden. Review of The Orange, Belgravia by Katie Pike, travel stories
OLD SHEFFIELD PLATE
Stumbled upon by chance, this ingenious material was a more affordable option than solid silver, and well-preserved examples are particularly desirable today
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Summoning servants since the 1700s, bell boards create instant English country-house style (even if you don't have any servants). Emma Longstaff dons her pinny
Let it snow
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Velvet Crush
Once the preserve of the wealthy, velvet finally touched all levels of society, thanks to advances in its production process
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Antiques dealer Julia von HÃŒlsen specialises in Gustavian pieces - all of which look perfectly placed in her German home
THE SHOW MUST GO ON
Victorian toy theatres charming and exquisitely designed miniature worlds have inspired theatre royalty for decades. Today, the tradition is being kept alive by a small but talented network of makers
NICHOLAS LEES
The ceramic artist talks to Dominique Corlett about new ways of working with clay and blurring the edges of solid objects
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