Sanctuary. What does that word conjure up for you? A 200-year-old willow tree to sit under and read a book? An outdoor sauna in a wooded glade? A plush sofa to sink into and nap for a few hours? A dimly lit room to lounge around in, listening to records on your own?
All of these things, and more, are in abundance at Boath House. The beautifully restored Georgian manor house, between Nairn and Findhorn near the Moray Firth, has recently become a retreat for artists and creative types. They come here from all corners of the UK and beyond, seeking mental breathing space.
It can sometimes take a few days into a holiday until you start to loosen up, but a palpable sense of calm is felt as soon as you arrive here. You're greeted by the woody scent of palo santo, and light floods in through the tall windows, bathing the sitting rooms with summer light.
There are two rooms on the ground floor for guests to lounge in at their leisure. The walls are usually adorned with works by the current artist in residence. My visit coincided with the Edinburgh art collective Bard showcasing ceramics by Cara Guthrie. Artworks by big names such as Julian Schnabel and Joanna Piotrowska can also be found around the house. It feels elevated, sure, but in a way that invites you to kick off your shoes, lie back and take it all in.
Expectations are subverted in other ways too at Boath. There's no traditional reception desk, for instance; instead, you're greeted by a member of staff as you arrive, shown to your room, and then left to explore. This is a place to do your own thing and make yourself at home.
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Escape BOATH HOUSE
An inspirational Georgian manor house in the north-east offers sanctuary to artists, poets and the curious of spirit
Escape THE LOOKOUT
Sun-drenched interiors, right on the beach - it's hard to believe this is Scotland
"It still feels like home. Just nicer"
The owners of this house in Edinburgh didn't intend to give it a complete makeover, but once they started they just couldn't stop
A SCOTTISH LOVE STORY
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CLEAN AND POLISH
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MEET THE MAKER RACHEL MACLELLAN
You might think the process is purely creative, but designing knitted textiles requires a deep understanding of geometry and pattern calculations. It is intricate and often mathematical. I have learned that knitting demands a constant balance between artistry and engineering. Creating a new textile involves not only selecting colours and yarns but also considering the tensile strength, elasticity and drape of the material. That way, I ensure the final product is both aesthetically pleasing and functional. To me, this blend of creativity and technical precision is a fascinating aspect of knitted textile design.
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LAURA THOMAS
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