AT first glance, there seems little to connect the Hon Christian Methuen and Miss Rachel Johns, who respectively appeared on the Frontispiece of this magazine on May 1, 1915, and August 29, 1974. The common denominator, despite nearly 60 years’ difference, is that they each had their picture taken by the same photographer. Her name was Madame Yevonde. Theirs were the first and the last Yevonde portraits to be published in COUNTRY LIFE, bookending the extraordinary career of a pioneering photographer.
When the National Portrait Gallery (NPG) reopens this month after a three-year, £41 million refurbishment (‘A fresh face’, June 7), it will position Yevonde firmly centre stage with a major exhibition celebrating her life and work. Integral to this story is Yevonde’s long association with magazines such as COUNTRY LIFE, which gave her a platform and a vital source of income.
Born in Streatham, London SW16, on January 5, 1893, and christened Yevonde Philone Cumbers, she was the elder daughter of Frederick Cumbers, a manufacturer of printing inks. She grew up in a prosperous and liberal-minded middle-class household and her teenage years were dominated by her activism in support of the suffrage cause. She marched, lobbied and attended meetings; she even sold The Suffragette newspaper, but recoiled from the idea of breaking the law and the associated horrors of prison. Nevertheless, suffrage values fostered an independent streak and led her to believe there should be more to life than marriage and children.
ãã®èšäºã¯ Country Life UK ã® June 21, 2023 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Country Life UK ã® June 21, 2023 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Happiness in small things
Putting life into perspective and forces of nature in farming
Colour vision
In an eye-baffling arrangement of geometric shapes, a sinister-looking clown and a little girl, Test Card F is one of televisionâs most enduring images, says Rob Crossan
'Without fever there is no creation'
Three of the top 10 operas performed worldwide are by the emotionally volatile Italian composer Giacomo Puccini, who died a century ago. Henrietta Bredin explains how his colourful life influenced his melodramatic plot lines
The colour revolution
Toxic, dull or fast-fading pigments had long made it tricky for artists to paint verdant scenes, but the 19th century ushered in a viridescent explosion of waterlili
Bullace for you
The distinction between plums, damsons and bullaces is sweetly subtle, boiling down to flavour and aesthetics, but donât eat the stones, warns John Wright
Lights, camera, action!
Three remarkable country houses, two of which have links to the film industry, the other the setting for a top-class croquet tournament, are anything but ordinary
I was on fire for you, where did you go?
In Iceland, a land with no monks or monkeys, our correspondent attempts to master the art of fishing lightâ for Salmo salar, by stroking the creases and dimples of the Midfjardara river like the features of a loved one
Bravery bevond belief
A teenager on his gap year who saved a boy and his father from being savaged by a crocodile is one of a host of heroic acts celebrated in a book to mark the 250th anniversary of the Royal Humane Society, says its author Rupert Uloth
Let's get to the bottom of this
Discovering a well on your property can be viewed as a blessing or a curse, but all's well that ends well, says Deborah Nicholls-Lee, as she examines the benefits of a personal water supply
Sing on, sweet bird
An essential component of our emotional relationship with the landscape, the mellifluous song of a thrush shapes the very foundation of human happiness, notes Mark Cocker, as he takes a closer look at this diverse family of birds