
FINN KOEFOED-NIELSEN has a history with trees. He grew up in made entirely of wood. After some the New Forest in a family cottage years in London spent maintaining and repairing, among other things, the Palace of Westminster and some very expensive houses, he set about creating his dream career working with wood. What's more, he was inspired to embark on this new branch of carpentry after reading an issue of COUNTRY LIFE.
I'd been looking for ages for something to do with wood that I would enjoy and that might stand a chance of paying the bills,' he admits over a mug of tea in the kitchen of his stableyard home in sleepy Chilton, Buckinghamshire.
'And then I saw the article in COUNTRY LIFE about Jim Steele, the national treasure.'
National treasure, indeed. Mr Steele made chairs for decades and his work is still sought after worldwide, even now he is retired. He enjoys keeping his eye in, mind you, and he's by no means idle: he's off to Ireland with his wife, Val, at the weekend.
Today, he is here with his protégé to talk about all things chairs-especially Windsor chairs. A sidetrack discussion begins about the minutiae of making Windsor chairs and, for a moment, the pair are lost in another world: one with its own obscure language, characters and pitfalls. They stop to draw breath and Mr Koefoed-Nielsen looks apologetic. 'We can go on like this for hours,' he laughs.
It's fair to say they are obsessed. When we repair to a nearby hostelry for lunch, they waste no time in turning every interesting chair in the saloon upside down, peering at each in minute detail. The barmaid looks on, baffled.
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A trip down memory lane
IN contemplating the imminent approach of a rather large and unwanted birthday, I keep reminding myself of the time when birthdays were exciting: those landmark moments of becoming a teenager or an adult, of being allowed to drive, to vote or to buy a drink in a pub.

The lord of masterly rock
Charles Dance, fresh from donning Michelangeloâs smock for the BBC, discusses the role, the value of mentoring and why the Sistine chapel is like playing King Lear

The good, the bad and the ugly
With a passion for arguing and a sharp tongue to match his extraordinary genius, Michelangelo was both the enfant prodige and the enfant 'terribileâ of the Renaissance, as Michael Hall reveals

Ha-ha, tricked you!
Giving the impression of an endless vista, with 18th-century-style grandeur and the ability to keep pesky livestock off the roses, a ha-ha is a hugely desirable feature in any landscape. Just don't fall off

Seafood, spinach and asparagus puff-pastry cloud
Cut one sheet of pastry into a 25cmâ30cm (10inâ12in) circle. Place it on a parchment- lined baking tray and prick all over with a fork. Cut the remaining sheets of pastry to the same size, then cut inner circles so you are left with rings of about 5cm (2Âœin) width and three circles.

Small, but mighty
To avoid the mass-market cruise-ship circuit means downsizing and going remoteâwhich is exactly what these new small ships and off-the-beaten track itineraries have in common.

Sharp practice
Pruning roses in winter has become the norm, but why do we do itâand should we? Charles Quest-Ritson explains the reasoning underpinning this horticultural habit

Flour power
LONDON LIFE contributors and friends of the magazine reveal where to find the capital's best baked goods

Still rollin' along
John Niven cruises in the wake of Mark Twain up the great Mississippi river of the American South

The legacy Charles Cruft and Crufts
ACKNOWLEDGED as the âprince of showmenâ by the late-19th-century world of dog fanciers and, later, as âthe Napoleon of dog showsâ, Charles Cruft (1852â1938) had a phenomenal capacity for hard graft and, importantly, a mind for marketingâhe understood consumer behaviour and he knew how to weaponise âthe hypeâ.