THROUGHOUT history, artists have found in the Easter story everything they might want. After all, it contains not only spirituality and, in the resurrection of Christ, the greatest of all miracles, but human emotion at its highest pitch and the body—scourged, crucified and resurrected—at both its most abject and most transcendent. From the first depiction of the Crucifixion in the 2nd century AD, the events surrounding Christ’s death have been a life-giving force in art.
The profundity of the Easter narrative has also pushed painters and sculptors to make some of their best work. Michelangelo was so proud of his Pietà (1498–99) in St Peter’s that, when he heard an onlooker ascribing it to another sculptor, he brought a chisel and hammer back to the basilica and carved his name into it; it is the only work that bears his signature. Giotto’s fresco showing the Kiss of Judas (1304–06) in the Scrovegni Chapel in Padua remains a heart-stopping psychological moment seven centuries after it was painted. Even Salvador Dalí dropped his game playing and put aside his melting clocks when he painted a haunting aerial view of the Crucifixion, Christ of Saint John of the Cross, in 1951.
この記事は Country Life UK の April 05, 2023 版に掲載されています。
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この記事は Country Life UK の April 05, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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