DANIELLE BROOKS IS sitting in a corner of the Glass House Tavern's upper level, brows furrowed, fingers furiously slashing across her phone screen. "Whatchu playin'?" I ask her. "Fruit Ninja, horribly," she says. Her eyes, once focused on dicing digital citrus and berries, now convey a winsome giddiness. Those in the know tell me this tavern is where the cast of August Wilson's The Piano Lesson goes to kick it-to decompress after the latest rehearsal, to clown, talk shit, and bond. But on this early-fall Friday afternoon, the place is buzzing with layfolk, tourists, and theater nerds sipping on midday martinis before jaunting through a Theater District recovering from pandemic woes. And then there is Brooks, dressed down in a burnt-orange hoodie and matching sweats, wearing a dark, fitted cap with a D embroidered in Collins Old English-style font. "What exactly does social media serve?" she asks with an almost familial calm during one of our conversation's many digressions. "It's dumb, entertainment," I suggest. "Well, I'm supposed to be the entertainment!" her voice skies.
Brooks, 33, has been performing for applauding audiences since starting at the age of 6 in her South Carolina church. She snuggled into viewers' hearts as the undermined inmate turned activist leader Tasha "Taystee" Jefferson in Netflix's Orange Is the New Black fresh out of Juilliard nearly a decade ago. While shooting that seven-season banger, she earned a role-and a Tony nomination-as Sofia in the musical The Color Purple (a role she'll reprise in the 2023 film adaptation). James Gunn hand-picked her as co-lead opposite John Cena in HBO Max's superhero comedy Peacemaker, which, by season's end earlier this year, proved to be one of the streamer's most viewed original programs. Oprah swears by her.
この記事は New York magazine の October 10, 2022 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は New York magazine の October 10, 2022 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
