EVERYONE TAKES NOTICE when Gabriella Karefa-Johnson enters a room; with her infectious exuberance, she brings the party with her wherever she goes. You feel the same energy walking into her four-story home in Bedford-Stuyvesant, which is filled with an eclectic array of furniture and art mostly found online. "I became very obsessed with Live Auctioneers," she says. "I didn't really have the time, or the bandwidth, or the driver's license, for going to estate sales and picking up furniture." No need for her to hire an interior decorator she knows what she is looking for and what she likes.
Karefa-Johnson has no time to waste. The way she has navigated her career in fashion has demonstrated this sense of purpose, and she's worked hard to stay true to who she is. Most recently, this meant leaving her job at Vogue to throw herself into creating her own role in the industry.
この記事は New York magazine の February 26 - March 10, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は New York magazine の February 26 - March 10, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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