MAX WOLF FRIEDLICH is 29 and so grew up seeing, and sometimes seeking out, all sorts of crazy shit online. Perhaps as a result, he has a certain unbothered, buttonpushing bravado. This is true in person, I realize when we meet, a few days into the New Year, for lunch at Shopsin's, the diner in Essex Market. There, he declares that, even as I make some tepid chitchat about resolutions and minding my carbs, he is still planning to "eat like a little piece of shit" in 2024. But also in his clever, psychologically harrowing play Job, which I couldn't stop thinking about after I saw it in the fall at the Soho Playhouse (it begins another run at the Connelly Theater in the East Village this month). The show is about a millennial content moderator named Jane who, after having an office breakdown that goes viral, is mandated by her Facebookesque employer to see a technophobic boomer therapist; upping the drama, she brings a gun along to the session. It’s 80 anxiety-inducing minutes long, and I was so distracted by the final plot twist that I couldn’t hold a conversation with my friends over drinks afterward.
At lunch, just as our food arrives, I ask Friedlich what is the most disturbing thing he’s ever witnessed online. “Sorry, we’re eating,” he says, before admitting that as a kid he was “obsessed” with watching a video of an American journalist being beheaded in the Middle East. “I watched it so many times just being like, Whoa,” he says between big bites of his brisket-andchorizo sandwich. It is a blithely unaware, or perhaps blithely calculated, thing to say to a journalist.
この記事は New York magazine の January 15-28, 2024 版に掲載されています。
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この記事は New York magazine の January 15-28, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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THE BEST BOOKS OF THE YEAR
THE YEAR IN CULTURE - BEST BOOKS
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IT'S BEEN a year of successful straight plays, even measured by a metric at which they usually do poorly: ticket sales. Partially that's owed to Hollywood stars: Jeremy Strong, Jim Parsons, Rachel Zegler, Rachel McAdams (to my mind, the most compelling).
THE BEST ALBUMS OF THE YEAR
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IT WAS SURPRISING how much 2024 felt like an uneventful wake for the Peak TV era. There was still great television, but there was much more mid or meh television and far fewer moments when a critical mass of viewers seemed equally excited about the same series.
THE BEST COMEDY SPECIALS OF THE YEAR
THE YEAR IN CULTURE - COMEDY SPECIALS
THE BEST MOVIES OF THE YEAR
PEOPLE LOVED Megalopolis, hated it, puzzled over it, clipped it into memes, and tried to astroturf it into a camp classic, but, most important, they cared about it even though it featured none of the qualities you'd expect of a breakthrough work in these noisy times.
A Truly Great Time
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The Art of the Well-Stuffed Stocking
THE CHRISTMAS ENTHUSIASTS on the Strategist team gathered to discuss the oversize socks they drape on their couches and what they put inside them.