I HAVE A VISCERAL memory of sobbing on the couch in my mother's arms at 5 or 6 years old, saying over and over again, "I don't want to die." Nothing had happened. I had simply reached the understanding that one day, I would no longer exist. I also have a memory-I'm less certain about the year-of reading Natalie Babbitt's Tuck Everlasting and realizing, somewhere quiet at the back of my mind, how nightmarish the idea of living forever actually is. How incommensurate with our small, breakable animal bodies-this awful, awesome notion, the infinite.
From the name onward, nothing in Annie Baker's fearless new production, Infinite Life, is laboriously explained; everything is prismlike and expansive. The play unfolds gently, gradually, through implication and deceptively casual conversation. Baker and her director, the superb and unshowy James Macdonald, share a grasp of tempo and dynamic so assured and patient that your heartbeat at the end of Infinite Life's intermissionless hour and three-quarters may well belie the fact that no one onstage has once raised their voice. The play shines light through the facets of its title in at least two directions, neither of them easy to face. Look at it one way and see how comically absurd we are: "Listen, listen," insists one of Baker's characters, "no energy can be destroyed. Energy just continues ... The energy from the Big Bang has been radiating throughout the universe for millions of years. And then it, uh ... it turned into microwaves or some kind of wave and that thing, that static on the old televisions, that fuzz-that's the remnants of the Big Bang making itself known through your screen."
この記事は New York magazine の September 25 - October 08, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は New York magazine の September 25 - October 08, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
The Truths and Distortions of Ruby Franke -The Mormon mother of six built a devoted following by broadcasting her family's wholesome life on YouTube. How did she end up abusing her children?
In 2015, Ruby Franke, a 32-year-old Mormon woman in Utah, became another parent sharing her family’s life on YouTube. The first video on her now-defunct channel, 8 Passengers, begins with old footage of her standing in a modest kitchen, her five children gathered around in anticipation as she cuts into a cake to reveal the gender of her sixth child. The video jumps to a scene at the hospital shortly after her new daughter’s birth. Resting in bed, Ruby cradles the baby and her youngest son, a serious-faced 3-year-old boy in blue overalls. “Can you show me where her nose is?” she asks him as he points. “Where’s her eyes?” When an elder son reports that the camera is almost out of battery, Ruby replies softly, “Go ahead, turn it off. That’s okay.”
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