"AS THE WORLD falls around us, how must we bear its cruelties?" The words that open George Miller's Furiosa: A Mad Max Saga are very much in line with the apocalyptic prologues of most films in the series, but this time the question haunts Miller's slow-burn epic like a malignant, merciless spirit. Although thrilling in its own right, Furiosa at times feels like a personal and perhaps necessary counterpoint to the exhilarations of Fury Road (2015), which was so enthralling that it was easy to lose sight of the bigger, sadder picture. In the postapocalyptic gearhead action series upon which Miller built his early career, Furiosa somber, steady, and supremely twisted-is proof that none of this stuff is really supposed to be cool. "We are the already dead, Little D, you and me, says Chris Hemsworth's sadistic warlord, Dementus, to Anya TaylorJoy's vengeful Furiosa late in the film, using the nickname he gave her. These are the end times, and they the end people.
Some Fury Road fans may have forgotten this bleak truth, but Miller clearly wants to remind us. A prequel, a revenge tale, and even something of a bildungsroman, the new film begins with young Furiosa (Alyla Browne) kidnapped by a group of Dementus's motorcycle marauders, who are then chased by her mother (Charlee Fraser), a member of the Vuvalini tribe. Intending to save her daughter and make sure no outsiders learn of their verdant little oasis, Mom takes the riders out one by one. What makes this early chase so striking is the way it's presented as a relay race of dwindling resources, with everyone scrambling to conserve what they have, transferring fuel tanks from one bike to another as soon as one rider goes down. Everything is always on the verge of running out and dying out.
この記事は New York magazine の May 20 - June 02, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は New York magazine の May 20 - June 02, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
