WHEN NANA KWAME ADJEI-BRENYAH was in high school and college, he worked at a clothing store in the Palisades Center mall in West Nyack, where he spent his lunches and time between shifts at the Barnes & Noble upstairs—reading half a story, going back to work, then returning on his next break with the words still alive in his head. There were the literary magazines he discovered on the racks, like Ploughshares and The Paris Review. Wells Tower’s surreal, tough short-story collection, Everything Ravaged, Everything Burned. On one break, he read Kahlil Gibran, whose poem “On Houses,” from the 1923 collection The Prophet, arrived with its description of dream-filled bodies and comfort-filled homes as an invitation to engage; a few years before, his mom had lost her job as a kindergarten teacher and the bank foreclosed on their house in nearby Spring Valley.
この記事は New York magazine の April 24 - May 07, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は New York magazine の April 24 - May 07, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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