ADAM PEARSON INSISTS his acting career started as something of a joke. It was 2013, and he had just received an email about a casting call from Changing Faces, a U.K.based nonprofit he had worked with that is dedicated to helping people with visible differences on the face, hands, or body. A film called Under the Skin, to be directed by Jonathan Glazer, was looking for an individual with facial disfigurement to play a part. Pearson, who has neurofibromatosis type 1, a condition that produces benign skin tumors all over his face, certainly fit the bill. But he had never acted before and had no intention of doing so. "Let's waste someone's time for a while," he remembers thinking as he sent off his CV.
Then he was asked to record a short video. "Next thing you know," he says, "you're in Glasgow with Scarlett Johansson wondering what the hell has happened."
Quite a bit has indeed happened since then. "I came in hot and high and wildly unprepared," Pearson says about doing Under the Skin, but his scenes in Glazer's moody sci-fi thriller, in which Johansson's human-harvesting alien picks him up and later sets him free, were probably the most memorable moments in one of 2013's most acclaimed films.
(Much of their dialogue, it should be noted, was improvised.) Since then, Pearson, who at the time was helping cast reality-TV shows, has hosted a number of TV specials and appeared on a variety of other programs, often as an activist for greater visibility and rights for the disabled.
Now, he has what is certainly his biggest role to date as one of the stars of Aaron Schimberg's A Different Man, a noirish, existential comedy that was one of the breakout titles at this year's Sundance Film Festival and will be released by A24 in September, right at the start of awards season.
ãã®èšäºã¯ New York magazine ã® August 26 - September 08, 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ New York magazine ã® August 26 - September 08, 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but âthere was something off about them,â he told me recently. He summarized a typical example: âUsually, it begins with the phrase âIn the year 2250-somethingâ and then it goes on to say the Earthâs environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And thenâtheyâve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.â Clarke said he had received âdozens of this story in various incarnations.â
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.