It’s been said that your father, the late George Harilela, gave you a US$3 monthly allowance. How did that impact your determination and drive to succeed?
I was in high school at the time and it wasn’t even enough money for me to pick up a date. I’ve seen my father work from scratch and I idolised him. I didn’t mind it. I had a driver, car, food and I was pampered. But it made me think about how to make my father’s life easier. My whole life, I’ve been very independent. I went to study business at the University of Southern Carolina and was the first person to go to university in my family. I thank him for these lessons. I always taught my kids that they need to sustain themselves. I have always tried to prove to my father that I could be at least half the man he was, because he was totally self-made.
You’re considered an expert in the licensing world and have worked with companies like Disney and Warner. How did you first get into this line of work?
I was in trading first and I always wanted to add creativity and value. I partnered with an Australian company and we owned many notable Disney licences. The biggest licence we ever got was for the World Cup in 1994 in the US. We created a store with 250 items. You could buy a towel, a stuffed toy or a soccer ball. It was challenging and a lot of fun.
Was the dream always to join the family business?
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THE LAST WORD
Every issue, we ask our cover star a round of quickfire questions that give us a little more insight into their personalities. This month: Gulf Kanawut lays it bare
WOMEN AT THE WICKET
Asia's women's cricket teams from outside the Indian subcontinent have been rapidly rising up through the ranks, creating opportunities, breaking barriers and changing the game as they go
TIME TURNER
A 2024 Turner Prize nominee, British Filipino artist Pio Abad talks to Tatler about carrying on family legacy, unearthing historical connections and why the Philippines is always at the core of his work
ROYAL RICHES
Ahead of the opening of Prince and the Peacock, Black Sheep Restaurants' latest establishment, Tatler joins the hospitality group on a culinary pilgrimage to India
MAKING HER POINT
Foil fencer Daphne Chan is happy to see the rising interest in her sport since Cheung Ka-long's historic win, and is headed to the Games with impressive wins behind her. But she's not allowing the pressure to get to her, and is most excited about who she might meet in Paris
IN IT TO WIN IT
Hong Kong freestyle swimmer Ian Ho, whose Instagram handle @Amphlb_ian playfully alludes to his aquatic prowess, competed at the 2020 Summer Olympics in Tokyo and won silver in the men's 50 metres freestyle at the 2023 Asian Games in Hangzhou. This month, he will represent Hong Kong at the Paris Olympics. He talks to Tatler about making Hong Kong proud, life as a student and professional athlete-and why relaxing is the way forward
UNFINISHED BUSINESS
Two-time Olympic swimmer Camille Cheng thought Tokyo 2020 would be her last Games, but competing in Paris was too big a draw for the French Chinese athlete
INTRIGUE AND INTRICACIES
Parisian artist Ugo Gattoni takes us through his elaborately designed poster for the Olympics and Paralympics in his home city this month
Crafting a New Legacy
Nicholas Lieou, creative director of high jewellery at Chow Tai Fook Jewellery Group, is reimagining jewellery, as the brand celebrates its 95th anniversary
A Lasting Legacy
Tatler explores Cartier's latest Watches and Wonders novelties with the maison's image, style and heritage director, who explains how the luxury house continues to create designs that are relevant today, yet rooted in legacy