Passing the test
BBC Music Magazine|October 2022
Forget tweedy examiners behind desks, bland pieces and those dreaded aural tests. Graded exams are not what they used to be, as Clare Stevens explains
- Clare Stevens
Passing the test

Revisiting teenage experiences of sitting instrumental or vocal grade exams must come pretty high up any register of anxiety dreams for adults who had music lessons as children but did not go on to study professionally. So many of us faced the ordeal of stumbling over scales, making silly mistakes in pieces we’d played perfectly at home or failing to identify the middle note of a chord before being released from the torture chamber by an unsmiling examiner who probably didn’t even raise their head from their marksheet. Unsmiling examiners are now rare, thankfully; even the most traditionally minded exam boards have recognised for some time that putting a child or a nervous adult learner at their ease before they start to play will give them a better chance of performing to the best of their ability. The switch to a more empathetic, candidate-centred approach has underpinned developments in other aspects of the assessment process too, accelerated in many cases by the effects of the pandemic, which meant that traditional face-to-face exams were cancelled almost overnight.

この蚘事は BBC Music Magazine の October 2022 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、9,000 以䞊の雑誌や新聞にアクセスしおください。

この蚘事は BBC Music Magazine の October 2022 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、9,000 以䞊の雑誌や新聞にアクセスしおください。

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