When Sleater-Kinney emerged amid the '90s riot-grrrl movement, they stood out as a group of three young women making explosive records fueled by rage. The trio's new effort, Little Rope (Loma Vista), is barely less explosive but fueled primarily by a different emotion: grief. Sleater-Kinney were midway through the songwriting process when guitarist Carrie Brownstein learned that her mother and stepfather had been killed in a car accident while on holiday in Italy.
On this new album, Brownstein and fellow guitarist/vocalist Corin Tucker manifest all the feelings of loss in sounds that range from thundering to delicate. Now 30 years into their career, Tucker's monumental voice is more than equal to the task, and both guitarists wrestle their Gibsons into tones both caustic and vulnerable.
For some, grieving is a process of disappearing into yourself, but for Brownstein, Little Rope is exactly the opposite. "We just wanted to make something that felt extroverted, that felt lively, and that felt like it was going to be a container for these big emotions and sounds," she says. "Usually our favorite records are something that's going to bring people in and create an environment where there's restlessness and urgency. Whether it was guitar tones or tempo, I think everything just had this energy to it."
Little Rope carries off the feat of being melodic and aggressive at the same time, thanks to the interplay between Brownstein and Tucker's guitar tones. "We were just getting tones that were really crunchy to layer underneath prettier tones," Brownstein explains. "Two pedals that we really toyed with a lot were the Expandora [fuzz] and the Jangle Box [compressor]. I used a lot of chorus. I like putting a little harmonizer on things, or phase, but I like stacking that over something that is very corrosive.
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UAFX
Teletronix LA-2A Studio Compressor
MAN OF STEEL
He brought the Dobro to centerstage with his dazzling talent. As he drops his first album in seven years, Jerry Douglas reflects on his gear, career and induction in the Bluegrass Hall of Fame.
CLOSER TO HOME
Rehearsal space, studio, vessel and abode Diego Garcia's boat is the home base for his new album, as well as his musical life as the seafaring Spanish guitarist Twanguero.
Medium Cool
Striking the middle ground between its Thinline brethren, Gibson's ES-345TD remains a versatile, if underrated, gem.
MY CAREER IN FIVE SONGS
The Moody Blues scored a dozen top 10 hits in their five-decade prog-rock reign. Justin Hayward says these are his favorites.
TIPSHEET
Doing what comes naturally is at the heart of Zakk Wylde's advice.
POP ART
With Dad Rock, Sadler Vaden crafts an album whose songs and guitar sounds recall the best days of classic rock.
PRS
PREVIOUSLY PART OF PRS's Maryland-built guitar line, the SE NF3 was recently reissued in the company's offshore-produced SE series. The SE NF3 is so named for its Narrowfield Deep Dish (a.k.a. DD) \"S\" pickups. These unique PRS-design units have deeper bobbins to accommodate more windings and extra metal pieces between the magnets to yield a more powerful \"single-coil\" tone, while remaining noise-free because they are in fact humbuckers. A control set consisting of master volume, tone and a five-way blade switch allows the usual selections of bridge, middle and neck pickups by themselves and the neck-plus-middle and bridge-plus-middle combinations that allow the SE NF3 to veer into Strat-like territory in switch positions two and four.
EPIPHONE
Inspired by Gibson Custom 1963 Firebird V and 1959 ES-355
CERTIFIED GREATNESS
Fingerstyle master Tommy Emmanuel combines unique musical instincts and breathtaking technique to become an acoustic tour de force.