M: My very first jazz inspiration was Pat Martino. I remember one day getting to my guitar lesson a little earlier and seeing my teacher playing through a transcription of one of Pat’s solos. I thought that was so cool, so as soon as I got back home I started researching his music and that got me started in jazz guitar.
What elements of jazz have you found the most stimulating from a theoretical and technical perspective?
M: What first got me into jazz was definitely the technical side of it. As a guitarist I remember listening to Pat Martino or Pat Metheny and thinking, ‘wow, there are so many possibilities there’. It seemed to me that this was as liberated as you could get as a guitar player, and that resonated with me. I wanted those skills, I wanted the ability to express myself in such a freeing way.
What guitars, amps and pedals do you prefer the most for recording or live performances?
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PAT METHENY
Nick Mellor offers an insight into the jazz great's 16th-note lines, and his approach to improvising over static Minor and Dominant 7th chords.
MARTIN MILLER
Another fabulous JTC guitarist demonstrates his impressive techniques for us, focusing on an approach called Rythmically Dependent Alternate Picking.
THE KINKS' RAY DAVIES
This month Stuart Ryan takes a virtual trip into to North London to get to grips with the acoustic style of the original Muswell Hillbilly.
STEVE LUKATHER
This month Andy G Jones looks at the fluent soloing style of the LA guitarist who co-founded Toto in 1977 then ruled the 80s session scene.
JEFF HANNEMAN
This month Charlie Griffiths Shows No Mercy as he lays down the gauntlett with five shred licks from Slayer's undisputed master of attitude.
10CC
This month Martin Cooper checks out Eric Stewart and Lol CrÚme, whose distinctive styles helped give this UK band its unique sound.
T-BONE WALKER
From the heart of Texas to the cool West Coast, join David Gerrish on the journey of this hugely influential electric blues guitar innovator.
FERDINANDO CARULLI Andantino In G (Opus 241)
This month Declan Zapala goes back to basics to explore core classical technique with this emotive miniature by the pioneer of classical guitar playing.
THE CROSSROADS Steely Dan's Mu Chord
This month John Wheatcroft shows us how Donald Fagen and Walter Becker dressed their harmony to the 'nines, as he explores their trademark chord voicings.
DOUBLE-STOPS
Playing two notes together is a useful addition to any guitaristâs arsenal. Simon Barnard shows how this can be used in a variety of styles.