GT: Do you have a type of pick that you can’t live without?
SF: I prefer a 1mm standard pick. It’s super common, and it’s what I’m used to.
GT: If you had to give up all your pedals but three, what would they be?
SF: I’d keep my Analog Man, King Of Tone, MXR Carbon Copy, and maybe the JHS Mini Foot Fuzz.
GT: Do you play another instrument well enough to do so in a band? If so, have you ever done it?
SF: I started on drums, and I have gigged on the bass guitar before. Am I good enough to do it in a band? Not really, but it’s good to stretch out.
GT: If a music chart were put in front of you, could you read it?
SF: I can’t sight-read on the fly, but I could figure it out. There are a lot of shorthand ways to write charts that aren’t the traditional method.
GT: Do guitar cables really make a difference? What make are yours?
SF: I’m sure they do, but it seems like they all degrade and break the same. The road is hard on gear. I have some Ernie Ball cables, Monster, MXR. But usually I just replace the bad cables as I go. I go more off of length and jack type.
GT: Is there anyone’s playing (past or present) that you’re slightly jealous of?
SF: Derek Trucks is incredible. His dynamics and phrasing… and he really moves people.
GT: Your house/studio is burning down: which guitar do you salvage?
この記事は Guitar Techniques の June 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Guitar Techniques の June 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
