THE MEMBERS OF Periphery want to get something straight once and for all: Djent that onomatopoeia used to describe the guitar sound of their band, along with groups such as Meshuggah, Animals As Leaders and Polyphia, among others is not a genre. They're serious about this, and just in case nobody's paying attention, they've even gone so far as to title their latest album Periphery V: Djent Is Not a Genre.
"Djent is not a genre," Misha Mansoor states emphatically during a Zoom interview that includes his multi-stringed cohorts, Mark Holcomb and Jake Bowen. "It's a lifestyle."
Which prompts Bowen to add his two cents: "We've been labeled as djent for such a long time that we've actually adopted it as our genre. I was the last guy in the band to be OK with it. It's nothing that we chose, but here we are - people call us a djent band. So the album title is our way of messing with everybody. It's not a grand statement in any way. It's just for funzies."
Mansoor cracks up at that one. "Just for funzies"?" he says, nearly doubling over. "Oh, man, I can't wait to see that in print!"
It's been four years since the band (which also includes singer Spencer Sotelo and drummer Matt Halpern) released the colossal Periphery IV: Hail Stan, during which time its three guitarists have busied themselves with various solo and side projects that encompassed raging metal and chillaxed electronic music. For Mansoor, the prime mover of the band who also functions as their de facto producer and engineer, the agenda for album number seven (despite its Roman numeral, it's their seventh studio record) was the same as always. "I just want to get together and write music with my best friends," he says. "It's a fun process, and in the end we try to make things really simple: 'Is what we're doing cool?'"
この記事は Guitar World の May 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Guitar World の May 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
