ISLANDS IN THE Stream,” “Voulez-Vous,” “Guilty,” “Lay Down Sally.” What do these classic hits have in common? They all feature the tasteful guitar playing of George Terry.
Like an East Coast brother of L.A. cats Larry Carlton, Steve Lukather and Dean Parks, “Miami George” had genre-spanning chops, imagination and flair that allowed him to move easily from session to session. Working at Criteria Studios in Miami, mostly with the successful production team of Barry Gibb, Albhy Galuten and Karl Richardson, Terry built a discography that cut a who’s-who swath through Seventies and Eighties pop and rock.
As if that didn’t keep him busy enough, Terry also was the second guitarist to Eric Clapton. From 1974 to 1978, he toured the world and played on five of Clapton’s studio albums while also contributing as a songwriter and backing vocalist.
Those were transitional years for Clapton, when he was redefining himself as a singer and bandleader, while trying to escape his “Clapton is God” guitar-hero rep.
“Singing and playing guitar is not an easy thing to do,” Terry says. “There’s a syncopation that gets complex while doing both at once. Not to mention getting the lyrics, phrasing and pitch right on the vocal. So in a live performance, I would cover whatever he had trouble doing.”
And Clapton was a generous band leader, letting Terry step out with solos on such tracks as “The Core,” “Next Time” and “Lay Down Sally.”
After parting ways with Clapton, Terry plugged back into the studio scene with high-profile work for Diana Ross, Air Supply and Barbra Streisand. He also released a muchoverlooked solo album, Guitar Drive, which includes the standout track “Let Me Stay,” originally written for Clapton’s 461 Ocean Boulevard.
These days, Terry, 74, lives in his native south Florida, where he makes music in his home studio. You can check out what he’s been up to on his website, georgeterry.com.
この記事は Guitar World の November 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Guitar World の November 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston