âIâM NOT SURE where it comes from, because we come from two different places,â Aerosmithâs Brad Whitford told Guitar Player in 2019. â[Joe Perry] isnât schooled at all, so itâs totally a âfeelâ thing for him, whereas I did a lot more studying of the guitar. So youâre seeing two different approaches, but they work really well together. Ultimately, you want to have both sides.â What Whitford is explaining is the intangible secret of the Aerosmith groove machine. Even if you can play like Perry or Whitford, a big part of the bandâs sound is the sum of these two playersâ distinct approaches.
Joeâs take on this? âI listen to what Bradâs playing, and he listens to what Iâm playing, and then we just try and mix it up, right down to â especially in the earlier days â saying, âWhoâs gonna play the Strat? Whoâs gonna play the Les Paul?â That kind of thing. And when we come up with new riffs and songs, we each approach it from different angles, and then we settle into our thing. Iâve always felt like we have two lead players and two different flavors in this band, and thatâs really important.â
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TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined âMeâ decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
DAZED and CONFUSED
Providing more hits and misses than a vintage K-Tel Top 40 compilation, the guitar industry during the '70s was anything but boring
BEST 70s SOLOS, RIFFS and FORGOTTEN HEROES
A horde of guitar stars including Warren Haynes, Doug Aldrich, Sophie Lloyd, Frank Marino, Vernon Reid and Mike Campbell (not to mention Blackbyrd McKnight, Jared James Nichols, Steve Lukather, Steve Morse and Charlie Starr) choose the best stuff from the '70s