THE LAST TIME NUNO
Bettencourt appeared on the cover of Guitar World was the December 1992 issue, when this magazine declared the then-26-year-old phenom the “new boss.” At the time, Bettencourt had turned the six-string universe on its ear with the excessively funky and fiery guitar acrobatics he packed into every groove (or, given the smash acoustic hit “More Than Words,” almost every groove) of Extreme’s smash sophomore album, Pornograffitti.
Here we are more than three decades later, and while Bettencourt has continued to push the creative and technical limits of rock guitar — on successive albums with Extreme; in his own solo work and projects like Mourning Widows; with superstar bands like Satellite Party; alongside pop superstar Rihanna; and with Yngwie Malmsteen, Zakk Wylde and Tosin Abasi on the Steve Vai-led Generation Axe extravaganza tours, for starters — he has, at 56 years old, quite possibly just set a new bar.
In March, Extreme announced their first album in nearly 15 years, Six, and also released its first single, “Rise.” And while all the hallmarks of what makes a great Extreme song — high-energy, rock-solid riffs and rhythms; sticky hooks and choruses; a forceful and expressive Gary Cherone vocal — are present and intact, it was Nuno’s guitar solo that stopped fans, peers, industry pros and even guitar legends in their tracks.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth â by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was ânot on their bingo cardâ when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a âfinal lapâ than a new beginning. But drilling into old favorites â whether the nu-flavored teenage slams of 1999âs Spit or the more venomously groove-thrashed tunes of their late-â00s period â revealed that despite not having raged together in years, there was something undeniably special about Kittieâs musical connection. âPlaying with these girls is like putting on an old pair of pants,â Lander says. âItâs very comfortable â and it looks good too.â
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). âFor a moment, I was like, âWhat are we going to do?â James says. âBut then I thought, âWell, other bands have succeeded as a duo. Maybe we can, too.â
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined âMeâ decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston