If Jakko Jakszykâs music career ever ended, heâd make a great impressionist. An hour-long conversation about his fantastic new autobiography, Whoâs The Boy With The Lovely Hair?, sees him mimicking everyone from Sir Richard Attenborough to Michael Jackson, both of whom are among the dozens of gobsmacking cameos in the book. It tells the twin stories of his journey from teenage prog fan to latterday member of King Crimson, as well as the moving, sometimes frustrating saga of his attempt to track down the woman who gave him up for adoption as a child. Not for nothing is it subtitled âThe Unlikely Memoir Of Jakko M Jakszyk.â.
What made you want to write an autobiography?
I think it was finally discovering my father after 60-odd years of thinking about it, and this mad journey to get there. The musical story and the family story are bizarrely connected: itâs the whole sliding doors thing. Had my mother not had me adopted, would I have ended up in King Crimson? I might have ended up in America in some fucking country and western band.
Becoming a musician seemed to be third on the list of things you wanted to do, after football and acting.
They all seemed equally deluded, but being in King Crimson was the most ludicrous of all. I gave up on football after I stood at the side of the pitch for ages as a substitute and then they dragged me on for 10 minutes. Instead of going, âIâll try for another teamâ, I just thought, âAll right, that avenueâs closed.â And then I joined the National Youth Theatre, and we did all these amazing productions. But the final straw was when I got a lift to an audition from this girl I knew. She wasnât going to audition, but they gave her a job and not me. I was unbelievably arrogant back then.
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, theyâre celebrating last yearâs performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the bandâs ambitious early years and bassist Craig Fletcher fills Prog in on JLBJHâs upcoming âprogtasticâ double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael à kerfeldt and guitarist Fredrik à kesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.