“I STILL HAVE a lot of faith in human beings. It’s just the system we’ve built around ourselves, the miserable machine, causing all the problems.”
Paul Wolinski laughs as he says this, almost surprised by his own view of the state of things. Though it’s a stark way of summarising the world outside our window, it’s also a base point for where Paul, as a musician, finds himself right now.
Renowned for his work over the last 20 years in 65daysofstatic, Sheffield’s own multifaceted post-rock monster, his recent focus has been on Polinski, a private escape of experimentation that he’s dabbled in on and off for the last decade. As 65days are pivoting more to explorative soundscapes rather than fully fledged songs, he’s found a bit more time and space to give his solo project the attention it deserves.
And that’s how he found himself focusing on the world’s ills while piecing together his art.
この記事は Prog の Issue 140 版に掲載されています。
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この記事は Prog の Issue 140 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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