![davidquanticklikes davidquanticklikes](https://cdn.magzter.com/1658232417/1669291058/articles/jqcjrVnei1670247104481/DAVIDQUANTICKLIKES.jpg)
Like most people I am quite ignorant, and my ignorance extends to many areas. Like the tentacles of an overly endowed octopus, my ignorance extends into science, sport, literature, life skills and what the archaeologists call “heritage rock”. Heritage rock is music made by old people that other old people like. It does not for some reason include pop (although Wings and ABBA teeter on the brink of acceptability) and is mostly made up of artists who began their career in Laurel Canyon or were a bit folky.
I know a bit about these people but as I grew up during the great Punk Diaspora, much of their music was forbidden to me. My musical upbringing was not so much Year Zero as Decade Zero. Also, I was young(ish) and like many youngish people did not find artists who began their career in Laurel Canyon or were a bit folky particularly exciting. But now I am old and covered in moss and I have begun to investigate the back catalogues of the heritage acts. And the odd thing is that, while I like the holy texts of the 60s and early 70s – Blonde On Blonde, After The Gold Rush, Astral Weeks, Simon & Garfunkel’s Greatest Hits – I find I actually prefer listening to what I believe archaeologists call these artists’ “gammy years.”
ãã®èšäºã¯ Record Collector ã® Christmas 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Record Collector ã® Christmas 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
![WINDOWS ON THE WORLD WINDOWS ON THE WORLD](https://reseuro.magzter.com/100x125/articles/27225/1971113/WLoiQueRQ1737981220340/WINDOWS-ON-THE-WORLD.jpg)
WINDOWS ON THE WORLD
At the peak of their powers in the early 70s, by 1975 there were signs that Led Zeppelin were burning out, and their legendary appetite for excess, not to mention stadium-straddling, mythically charged, epically inclined hard rock, might be waning.
![HI-FIDELITY? HI-FIDELITY?](https://reseuro.magzter.com/100x125/articles/27225/1971113/ogZzPrVH81737982083598/HIFIDELITY.jpg)
HI-FIDELITY?
Running a record shop is a dream for many music aficionados. Steve Burniston investigates how to run a successful one
![THE ENGINE ROOM THE ENGINE ROOM](https://reseuro.magzter.com/100x125/articles/27225/1971113/6Xi2_mo261737981879223/THE-ENGINE-ROOM.jpg)
THE ENGINE ROOM
The unsung heroes who helped forge modern music
![UNDER THE RADAR UNDER THE RADAR](https://reseuro.magzter.com/100x125/articles/27225/1971113/5FJti_kxv1737981750384/UNDER-THE-RADAR.jpg)
UNDER THE RADAR
Artists, bands, and labels meriting more attention
![45 SHEFFIELD 45s 45 SHEFFIELD 45s](https://reseuro.magzter.com/100x125/articles/27225/1971113/7rOD77rXD1737981146181/45-SHEFFIELD-45S.jpg)
45 SHEFFIELD 45s
Continuing our celebrations of RC's 45th birthday and following on from our look at the best 45s to come out of Manchester, Liverpool, Bristol and Glasgow, we focus on the urbanisation formerly known as Steel City: Sheffield. Close to the (Nether) Edge: Jeremy Allen
![Finished Symphonies Finished Symphonies](https://reseuro.magzter.com/100x125/articles/27225/1971113/eWdHkF2-o1737980052406/FINISHED-SYMPHONIES.jpg)
Finished Symphonies
In the late 80s, Shelleyan Orphan made rarefied, ravishing, precious (both meanings) baroque pop, all chamber quartet accompaniment and literary reference points, like an 18th century Cocteau Twins.
!["BLACK BRITISH PEOPLE HAD SOMETHING TO SHOUT ABOUT" "BLACK BRITISH PEOPLE HAD SOMETHING TO SHOUT ABOUT"](https://reseuro.magzter.com/100x125/articles/27225/1971113/NqF5OO2P01737976366268/BLACK-BRITISH-PEOPLE-HAD-SOMETHING-TO-SHOUT-ABOUT.jpg)
"BLACK BRITISH PEOPLE HAD SOMETHING TO SHOUT ABOUT"
Breaking new ground for black music in Britain from his teenage years in Matumbi in the early 70s, Dennis Bovell went on to become one of reggae's most highly regarded producers, helping popularise lovers rock. He also played a pivotal role in post-punk's experimental incorporation of dub influences on records like The Slits' Cut and The Pop Group's Y. As new compilation, Sufferer Sounds, reaches back to his early days to compile some of his best early dub plates, Lois Wilson gets the full backstory from one of British music's most enduring forces.
![FRENZY REUNITED FRENZY REUNITED](https://reseuro.magzter.com/100x125/articles/27225/1971113/KZTYQCFFB1737979106078/FRENZY-REUNITED.jpg)
FRENZY REUNITED
Swindon's finest musical export, XTC were also one of the most quietly influential British bands, setting a template for Britpop while pioneering a brand of left-field guitar pop â from herky-jerky invention to consummate craftsmanship â that has spawned many imitators.
![Paperback Blighters - The books every record collector should read. Paperback Blighters - The books every record collector should read.](https://reseuro.magzter.com/100x125/articles/27225/1791540/u4EXH8p5_1723027643002/crp_PAPERBACK-BLIGHTERS.jpg)
Paperback Blighters - The books every record collector should read.
The books every record collector should read. Vinyl, you may have heard, has made a big comeback. In 2022, sales of vinyl albums surpassed compact discs (CDs) for the first time in more than three decades in terms of global revenue, racking up more than $1.2bn.
!["Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods. "Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.](https://reseuro.magzter.com/100x125/articles/27225/1791540/mgpsiCyBf1723027236166/crp_BEWARE-THE-SAVAGE-LUREOF-1984.jpg)
"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.
David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collinsâ phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.