Told that Record Collector would be arriving at 4pm, Neil Finn figured this would finally afford him the chance to ease the effects of the jet lag. It's been two days since he arrived in London from his hometown of Auckland in New Zealand, but any sleep lasting longer than two hours has eluded him. In the early hours of the morning, he awoke in his Marylebone hotel bed fretting about the session Crowded House were due to perform for BBC Radio 2's Vernon Kay on his mid-morning show. Three songs in total, with the station's in-house orchestra.
In the event they did something old, something new and something borrowed: their 1992 hit, Four Seasons In One Day; recent single, Oh Hi; and a version of Petula Clark's Downtown. As for something blue, well, anyone even passingly familiar with their body of work will know that beneath the surface of every Crowded House standard seemingly built for mass participation - Don't Dream It's Over, Weather With You, Fall At Your Feet, Better Be Home Soon - lurk deeper undercurrents of melancholy that, decades previously, saw some perceptive wag label Finn's songwriting style as "Leonard [Cohen] and McCartney".
Should you have heard the session - executed as it was, with seemingly effortless insouciance - you might wonder what aspect of it could have possibly been prompting Finn's nocturnal anxieties. "Oh, it was just the thought of screwing up live on radio," he explains, "The conductor's there and he's going to signal you in at a certain moment. And so, of course, even though it went great - you're so full of adrenaline that you go back to your hotel to sleep, and you've never felt so wired in all your life!" There's no self-pity in Finn's demeanour, more an amused exasperation at his own shortcomings.
この記事は Record Collector の July 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Record Collector の July 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Paperback Blighters - The books every record collector should read.
The books every record collector should read. Vinyl, you may have heard, has made a big comeback. In 2022, sales of vinyl albums surpassed compact discs (CDs) for the first time in more than three decades in terms of global revenue, racking up more than $1.2bn.
"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.
David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collins” phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.
7" Heaven & Hell the Story of the 45 - The 45 turns 75 this year. Matthew Quinlan charts its history, recalling the RPM wars and two belligerent titans who went into battle over the speed of spinning sound
Someone needs to come and empty the bins behind the Lloyds Bank branch in Kingston-upon-Thames. It’s been raining and flattened cardboard slumps next to a flytipped air conditioning unit and a rusting clothes rack. There are two signs at head height on the red brick wall. One warns that you’ll be clamped if you park here; the other, a stainless-steel plaque, marks Nipper’s 100th birthday. Nipper, the dog at the heart of the HMV and RCA Victor logos, was a white terrier with chocolate brown ears, maybe a Jack Russell, Smooth Fox, or Bull Terrier, more likely a mix. This is his final resting place. He was buried under a mulberry tree but, you know, urban sprawl, progress, etc. The plaque was unveiled by the Chairman of HMV Stores on 15 August 1984, while Captain Sensible, Janice Long, and a Nipper doppelganger looked on. Round the corner, at HMV and Our Price, George Michael’s Careless Whisper was flying off the shelves, and every copy turned at 45 RPM.
STARS ON 45s
A BUNCH OF MUSICIANS - 45, COUNT 'EM! RHAPSODISE ABOUT THEIR FAVOURITE SINGLE
THE TORTURED SHOPPER'S DEPARTMENT
John Coleman celebrates the great art of vinyl collecting on the 45th Anniversary of Record Collector and finds out, in an exhausting series of anxietyinducing sprees, how much vinyl you can buy today, ina variety of outlets, with 45.
Young American
A serendipitous collaboration with David Bowie in 1974 kick-started Luther Vandross' recording career. But he still faced an uphill struggle to succeed as a solo artist. Charles Waring talks to some of the singer's most trusted collaborators about his early years and how he battled to be heard....
MOD ALMIGHTY
Steve Ellis began his career as a mod in flower-power clobber as frontman of chart-toppers Love Affair. Quitting in 1970, he worked with The Who's Roger Daltrey then gave up music to become a docker before a near-death experience. Interest in his work was rekindled after hooking up with long-time fan Paul Weller. Lois Wilson hears how his romance with music endures.
ANARCHISTS IN THE UK
EXACTLY 45 YEARS AGO, CRASS, THE ANARCHIST ACTIVIST COLLECTIVE, WERE FINISHING PIVOTAL SECOND ALBUM, STATIONS OF THE CRASS.
The boy with the thorn in his side
David Cassidy was arguably the biggest solo star of the immediate post-Beatles era, yet his fame as well as his boyish good looks and extracurricular excessesovershadow the excellence of his breathily intimate, musically accomplished records. Simon Goddard, RC contributor and author of an acclaimed series of books on David Bowie, hails the work of the tortured pop idol
"I COULD JUST THROW MUD AT THE WALL"
There's little sign of slowing down from the 19-year-old Pete Townshend. Currently on the go: multi-media project The Age Of Anxiety; a dance production of Quadrophenia; and Pete Townshend Live In Concert 1985-2001, a 14-disc boxset of his solo in-concert recordings. Not, he admits, that his every whim and fancy are worth deeper exploration. \"Some of them are good ideas, some of them are pretty dumb,\"
