THE WAY OF WATER
THE WEEK India|January 08, 2023
At the Kochi Biennale, artist Sahil Naik pays tribute to a submerged Goan village that resurfaces for a month every summer
NIRMAL JOVIAL
THE WAY OF WATER

Curdi was their home before the river swallowed it. Now, every summer, they return to see the remains of the Goan village that emerge as the water recedes under a hot sun. They clean the ruins and place vessels to symbolically reoccupy their homes. They sing to their land and the waters.

Goan artist Sahil Naik’s installation—All is Water and to Water We Must Return—at the ongoing Kochi-Muziris Biennale in Kerala, is based on this touching tale of displacement and homecoming.

Sahil’s installations explore global conflicts, displacement and the idea of nation-building. His debut solo show in Kolkata, Ground Zero: Site as Witness/Architecture as Evidence (2018), focused on urban displacement and the ways in which modern Indian architecture inadvertently becomes witness to the stories of human generations.

この記事は THE WEEK India の January 08, 2023 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

この記事は THE WEEK India の January 08, 2023 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

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