BY THE TIME FORMER PRESIDENT DONALD Trump left a Salem, N.H., high school auditorium on Jan. 28—his return to the campaign trail after an unusually sleepy start to his 2024 campaign—he had ricocheted offmany of his standbys: indulging conspiracy theories, nursing conservatives’ fears about race and gender, and offering an alternative reality to his successor’s record. The hour-long diatribe suggested President Joe Biden should have thrown his son Hunter under the bus, that members of the Taliban did not fight at night because they lacked “binoculars,” and that wind turbines knock planes out of the sky.
For a fragile frontrunner facing criticism over the shaky opening to his latest bid for the White House, Trump’s initial showing did little to calm the skittishness among Republicans and some former supporters that the candidate himself acknowledged.
“They said, ‘He’s not campaigning. Maybe he’s lost a step,’” Trump said, mocking his critics. “I am more angry now and I am more committed now than ever.”
Maybe, but words—even hyper exaggerated and errant ones—aren’t deeds. Trump’s drop by with the New Hampshire GOP’s annual meeting didn’t prove his critics wrong. Nor did his next stop, in South Carolina, where he unfurled a pack of high-wattage supporters at the state capitol but offered no more steady or reassuring a performance.
この記事は Time の February 13 - 20, 2023 (Double Issue) 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Time の February 13 - 20, 2023 (Double Issue) 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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