Artist Sumakshi Singh's ongoing solo, Afterlife, at the Delhi gallery Exhibit 320 emphasises mark-making through thread. One could call the works on display sculptures but Singh's art does not entrap volume; rather, her work implies it, with the viewer's body encountering it as an apparition rather than an object. "Like most drawings that invite viewers to look not just at them, but through them, to the raw, unaltered background (paper/canvas), my works too have a sense of transparency and an acknowledgment of the background. They use thread as a mark-making tool in the air, offering access to the space behind," she explains. For Singh, the art form has become a process of "drawing out" from within. In this show, she uses it to show the vulnerability of the material form, and as an expression of loss and the search for "home".
この記事は Mint Mumbai の February 25, 2023 版に掲載されています。
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この記事は Mint Mumbai の February 25, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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