The artist was behind the release of a mocked-up migrant boat, complete with dummies of asylum seekers wearing life jackets, which crowd-surfed over the revellers watching Bristol-based band Idles.
But it didn’t quite get the reception the notoriously edgy artist might have hoped for: instead, there was a fierce backlash from people (including the current home secretary, James Cleverly) who felt that the image dehumanised and even mocked migrants and the desperate, dangerous journeys many make in search of a better life.
I agree that the visual impact of the stunt missed the mark. For while it may have been meant as a positive signal of solidarity, the visceral image of fake people being bopped around like balloons made me feel overwhelmingly uncomfortable.
I’m interested in what is not being said. The debate should centre on the rights of refugees in this country, who are all too often reduced to a prop – not least in this upcoming election. Instead, we’re talking about Glastonbury, with Banksy’s stunt as a spectacle.
この記事は The Independent の July 02, 2024 版に掲載されています。
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この記事は The Independent の July 02, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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