To begin with, Alanna Francis didn’t understand why her friends didn’t like her new boyfriend. To her, it had been a flurry of love – they had met in New York and fallen for each other quickly, moving in together in a matter of weeks. Francis, who was in her twenties, had been overcoming another heartbreak at the time, but now there was someone there, “telling me how wonderful I was, how interested in me he was”.
“Right away it was intense,” she explains, but then, she was intensely happy. Intensely loved. “I didn’t notice it was happening at all.”
The signs that she was being psychologically abused were subtle, almost completely hidden – until they weren’t. For a long time, she simply internalised the warnings. Her friends’ instant wariness of her new relationship “was a reflection on me”, she thought, “that I’d chosen someone ‘wrong’. Then he wanted to know where I was all the time; he was checking my emails. Things started to get worse and worse – he was becoming controlling.”
Bit by bit Francis, started to withdraw. She was no longer able to talk to her close group of girl friends; she saw them less and less. It wasn’t long before she found herself completely isolated, as her friends were left worried about what to do. Her experience inspired her acclaimed film Alice, Darling, which was released in 2022, starring Anna Kendrick. The film was praised by viewers as a sharp, pertinent example of the very internal experience of coercive control and its insidious nature.
The psychological thriller sees Alice’s distress slowly unfold as her boyfriend, Simon, pushes her to breaking point. On the surface, their relationship could be mistaken for loving – his constant “concern” for her whereabouts; physically draping himself over her in public; his reminders that “No one loves you the way I do.”
この記事は The Independent の October 21, 2024 版に掲載されています。
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この記事は The Independent の October 21, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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