In this keystone of modern drama, derelicts Vladimir and Estragon — described by Beckett as “clowns” — battle against the meaningless of life, waiting in a blasted landscape for a man they don’t know who never comes.
The bleak wit and the absurdity sit well with our frightening but also ridiculous times, as does the plaster artificiality of Rae Smith’s set and the occasional breaking of the fourth wall.
この記事は The London Standard の September 26, 2024 版に掲載されています。
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この記事は The London Standard の September 26, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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