DxO, the company with PureRaw and the Nik Collection in its stable, has revamped its flagship editing and workflow software. The updates to PhotoLab 6 from the previous version aren’t huge but they are significant and worthwhile if you want the best image quality, especially from high ISO images.
DxO has possibly the best raw de-mosaicing and de-noising technology available in any software, although I’m sure ON1 and Topaz will have a view on that. It started with Prime, which evolved to the even more effective DeepPRIME. In PhotoLab 6, the technology has been advanced further with the addition of DeepPRIME XD eXtreme Detail).
As a regular and keen user of DeepPRIME, I was keen to check out the benefits of the XD setting. Before I do, I should first cover the other key changes in version 6 and also say that PhotoLab 6 is fully supported by DxO's renowned correction profiles with thousands of camera/lens combinations available.
DxO has re-engineered its colour-processing algorithms and there is a new extended working colour space called DxO Wide Gamut that has a broader colour range than its Classic colour space. Toggling between the two reveals notable differences, especially in the blues and greens which are much brighter.
Another addition is a soft proofing function so you can check how images look in different ICC colour spaces including those paper profiles that you use for home or lab printing. Relative and Perceptual intents are available too.
In any workflow, the odds are you will need to clone out the odd crisp packet, sensor spot or heal skin blemishes, and DxO has a new ReTouch tool (formerly called the Repair tool) to help you fulfil those needs. Essentially, the tool lets you perform complex cloning and healing tasks with finetunable brushes that can be modified, flipped and rescaled which means you can do more tidying up without having to go beyond PhotoLab.
この記事は Amateur Photographer の December 06, 2022 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Amateur Photographer の December 06, 2022 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.
Panasonic FZ82D
If you want the flexibility of a superzoom bridge camera, then the FZ82D is a new model to tempt you. But is it any good? Amy Davies finds out
Leica D-Lux 8
Leica's latest advanced zoom compact resurrects a much-loved line, but can it challenge the Fujifilm X100VI? Andy Westlake finds out
Focus stacking for macro
In macro photography, depth of field is a real issue, but Rod Lawton shows how focus bracketing and Photoshop can fix it
Something magic
The official invention of photography is hard to pin down, but it's possibly 200 years old this year. Michael Pritchard takes a closer look at one of its pioneers
Fugue by Lydia Goldblatt
A profound and moving reflection on love, life, grief, childhood and motherhood, Fugue is a wonderful body of work, says Amy Davies
Honor's new phone crush, plus eye-tracking tech
It’s not exactly been a quiet summer for new phone announcements, but the pace is about to get even more hectic, with the massive IFA consumer electronics show taking place soon in Berlin (on 6-10 September).
Final Analysis
Peter Dench considers...'Matt, Border Morris Dancer, Clerical Error, Chester City' by Ryley Morton
Join the Club
PhotoClub247 is an online-only club of 400 friendly members and offers free live webinars
A new light on landscapes
Liam Man's dramatic, drone-lit landscapes have won him international acclaim. He tells Geoff Harris about his approach, and why still images still appeal more than video
