Shooting portraits in the studio is a well-established method of capturing images of people under controlled lighting. A studio is a safe space for photographers and offers access to bespoke lighting and backgrounds. You can move your lights around at will, alter the intensity and direction, focus or widen the spread and easily modify how much light hits the surrounding background elements. You even have the ability to control the ambient temperature and have access to unlimited food, drink and shelter from the weather. So why would anyone want to take their photoshoot outside or into another 'alien' environment?
On the other hand, the studio might not necessarily feel safe and comfortable to your subject. You might be familiar with it and it may provide the opportunity to surround yourself with every possible item of kit you need, but to the person being photographed, it can be an intimidating place, which brings about a sense of vulnerability.
This emotion rarely encourages the most honest expressions and posture, and can lead to uncomfortable, wooden poses. In this case, it might be more appropriate to capture them in a place with which they are familiar. In other circumstances, you may be called upon to photograph a subject for an editorial purpose in a location that better communicates their story.
When you find yourself in an unfamiliar setting you have to be prepared to manage unpredictable lighting, reduce unsightly colour casts and eliminate peripheral distractions in the location to make the background complement your main subject. Let's take a closer look at how to prepare for the unknown and be ready to capture stunning portraits anywhere at any time.
Use overcast lighting
Capture outdoor portraits under flat but softer natural light
この記事は Digital Photographer の Issue 256 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Digital Photographer の Issue 256 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents