IN THE SPOTLIGHT
Digital Photographer|Issue 273
Kim Bunermann meets Vince Preston to discuss on-location photo shoots and how to build confidence in your career
IN THE SPOTLIGHT

Getting the camera settings right and clicking the shutter might be the easy parts of the photographer's job, but to be able to convey genuine emotion in a still image takes real skill. As the American photographer David Alan Harvey once said, "What we need is interpretation and inspiration. We don't need to know what it looks like, but what it might mean and what it might feel like. We need images that speak to a deeper part of our humanity than the thirst for details."

For some photographic genres, capturing more than just what the subject looks like is essential. This is especially true for photographers who work with clients to promote businesses that represent a particular lifestyle or feeling. There is no better advertisement than to convey the atmosphere the customer experiences and that often means shooting on location, which brings a whole new set of challenges for the professional photographer.

Leaving the comfort zone of a photo studio for an on-location shoot means dealing with unpredictable lighting, limited perspectives and angles, and the extra responsibility of handling clients and their particular demands. The choice of location is also important, as it is crucial to select somewhere that reflects the service or product you are shooting.

That's exactly what portrait and event photographer Vince Preston does. Aiming to portray his clients and their services in the best possible light, Vince doesn't just capture faces but also tells a story and builds a visual connection with the viewer.

Vince Preston

この記事は Digital Photographer の Issue 273 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

この記事は Digital Photographer の Issue 273 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

DIGITAL PHOTOGRAPHERのその他の記事すべて表示
Sigma 28-105mm f/2.8 Art
Digital Photographer

Sigma 28-105mm f/2.8 Art

This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive

time-read
1 min  |
Issue 285
AstrHori 120mm f/2.8 Macro 2x
Digital Photographer

AstrHori 120mm f/2.8 Macro 2x

Matthew Richards finds out if double the magnification means couble the value

time-read
1 min  |
Issue 285
DxO PhotoLab 8 Elite
Digital Photographer

DxO PhotoLab 8 Elite

DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?

time-read
3 分  |
Issue 285
Panasonic Lumix GH7
Digital Photographer

Panasonic Lumix GH7

Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat

time-read
3 分  |
Issue 285
STORM CHASE
Digital Photographer

STORM CHASE

Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms

time-read
5 分  |
Issue 285
PROTECT YOUR IMAGES FROM AI
Digital Photographer

PROTECT YOUR IMAGES FROM AI

Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission

time-read
4 分  |
Issue 285
CREATE AI COMPOSITES
Digital Photographer

CREATE AI COMPOSITES

Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds

time-read
3 分  |
Issue 285
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Digital Photographer

Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS

Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom

time-read
10+ 分  |
Issue 285
MASTER MINIMALISM
Digital Photographer

MASTER MINIMALISM

Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work

time-read
6 分  |
Issue 285
LITTLE WONDERS
Digital Photographer

LITTLE WONDERS

Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents

time-read
8 分  |
Issue 285