Landscapes can play tricks on you. Seeing an incredible vista, capturing it as best you can and then being disappointed by the results later in the review process is a common phenomenon for landscape photographers. Part of the reason is the variety of colours present in the scene and the limitations of your camera to perceive all of these, compared with your eyes. When we look at a landscape, we're also capturing a lot of peripheral information that goes into creating the overall emotional reaction we have when standing there on location. This is missing in a still image, as only a single moment has been captured.
The strength of a high shutter speed to freeze time works against the landscape photographer, as the resulting images will seem static and somewhat lifeless. In this workshop, we'll take a look at the main steps we can follow to breathe some life into a summery landscape scene, making the most of the characteristic light while adding energetic movement and retaining natural colour. You don't need lots of kit, just a tripod and an ND filter, some patience and careful positioning, so let's get started.
Shooting steps
1 Watch your foreground With a carpet of seasonal flowers or the feeling the colour rolls on beyond the frame, place yourself so that you can control the foreground detail through careful composition.
2 Set elevation Control the horizon by experimenting with camera Seit elevation Control the horizon by experimenting with camera the top of the rapeseed plants, which created engaging depth-of-field fall-off while removing a housing estate behind the distant hillside.
ãã®èšäºã¯ Digital Photographer ã® Issue 280 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Digital Photographer ã® Issue 280 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Hereâs how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents