It is hardly surprising that cities are popular subjects for photography. Many of us live in or close to metropolitan areas, meaning that we spend a large portion of our lives surrounded by buildings, street lights and vehicles. It is a surprise, therefore, when we discover just how complex the urban environment is when capturing accurate colour and exposures, leading to many disappointing shots.
One missing element in many images is active sky colour. Most pro urban night shots aren't, in fact, shot at night at all, instead, they are created during the golden or blue hours. At these times, it's possible to create a feeling of darkness while minimising areas of empty black sky at the top of the image frame. Capturing accurate exposures of subjects illuminated from within and controlling the white balance of natural and artificial light, represents the need for careful use of metering and being a deft hand at targetted post-processing.
Add to this the need to shoot handheld in places where tripods are impractical and, even for an experienced photographer, it can be challenging to produce consistency in our night cityscapes. So, let's look at how we can best manage extreme contrast of colour and tone while battling blustery conditions after a rain shower on an evening shoot in the big city.
Shooting steps
1 Secure the camera Shooting from a busy walkway on the famous London landmark of Tower Bridge made using a tripod impossible, so we set the camera up on a monopod, which offered a balance of steadiness and safety in blustery conditions. Secure any loose camera straps to reduce the possibility of vibrations.
ãã®èšäºã¯ Digital Photographer ã® Issue 273 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Digital Photographer ã® Issue 273 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Hereâs how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents